Svetlana Stojanović Kutlača

Harspsichord Player, Doctor of Arts

čembalistkinja, doktor umetnosti

Uvod / Introduction

Lepota muzike je u jednovremenosti dejstva na čulo sluha i duh. Muzika se na jedinstveni način bavi postojanjem: dok slika beleži stvarni ili imaginarni trenutak sveta, a razum pokušava da definiše njegovu strukturu, muzika dočarava njegovu dinamiku. Muzički trenutak, momenat u transformaciji, predstavlja određenu harmoniju. Filozofski i muzički pojam harmonije susreću se i paralelno razvijaju u epohi baroka, odraz tog jedinstva najjasniji je u repertoaru muzike za čembalo. Posvetiti se interpretaciji istorijskog repertoara za čembalo za mene ne znači samo baviti se lepotom i raznovrsnošću dela posvećenih ovom muzičkom instrumentu, već jedinstvom njihovih senzitivnih i simboličkih potencijala, njihovom mnogoznačnošću i duhovnim bogatstvom.

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The beauty of music is in the simultaneous action on the sense of hearing and spirit. Music deals with existence in a unique way: while the image captures the real or imaginary moment of the world, and the mind tries to define its structure, the music evokes its dynamics. The musical moment, the moment in transformation, represents a certain harmony. The philosophical and musical notion of harmony meet and develop in parallel in the Baroque era, the reflection of that unity is most clear in the repertoire of harpsichord music. To dedicate myself to the interpretation of the historical harpsichord repertoire for me does not only mean dealing with the beauty and diversity of works dedicated to this musical instrument, but also the unity of their sensitive and symbolic potentials, their multiplicity and spiritual richness.

Koncerti / Concerts

Održani koncerti: / Concerts held:

Festival Ars vivendi clavicembalum

Sreda 13. Novembar 2019. Galerija Artget, Kulturni centar Beograd u 19h / Wednesday, November 13, 2019. Artget Gallery, Cultural Center Belgrade at 7 pm

Koncert-predavanje: Simbolika Bahove umetnosti fuge, Svetlana Stojanović Kutlača / Concert-lecture: Symbolism of Bach's art of fugue, Svetlana Stojanović Kutlača

Predavanje: Svetlana Stojanović Kutlača / Lecturer: Svetlana Stojanović Kutlača

Concert program J.S.Bach (1685-1750): "Die Kunst der Fuge" BWV 1080:

Svetlana Stojanović Kutlača, harpsichord solo

Contrapunctus I

Contrapunctus III

Canon alla Decima, Contrapunto alla Terza

Contrapunctus V

Contrapunctus VI (per Diminutionem in Stylo Francese)

Contrapunctus VIII

Bojan Stojčević, Igor Glavašić, harpsichord duo

Canon in Hypodiapason (Canon alla Ottava)

Svetlana Stojanović Kutlača, harpsichord solo

Contrapunctus IX

Contrapunctus X

Contrapunctus XI

Ana Tošić, Jana Petrović, harpsichord duo

Contrapunctus XII rectus&inversus

Svetlana Stojanović Kutlača, harpsichord solo

Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu

Contrapunctus XIV

54. Mokranjčevi dani Negotin

19 septembar 2020, 18h Mokranjčeva rodna kuća / September 19, 2020; 6 pm Mokranjac's birth house

Koncert: Pasakalja i Čakona / Concert: Passacaglia and Ciaccona

Svetlana Stojanović Kutlača, čembalo solo / harpsichord solo

Video snimak / Video recording

Muzicke kritike / Music reviews:

Sadržaj video snimka / Video content:

00:00 uvod

02:08 Girolamo Frescobaldi: Тоccata IX

07:18 Girolamo Frescobaldi: Cento Partite sopra Passagli

16:58 Bernardo Storace: Ciaccona

23:40 Louis Couperin Passacaille in g

28:25 Louis Couperin Chaconne in d

30:08 Jean-Henry D'Anglebert Prelude in g

31:47 Jean-Henry D'Anglebert Passacaille d'Armide

37:10 François Couperin La Raphaelle

39:56 François Couperin Passacaille

45:42 Johann Sebastian Bach Adagio

49:04 Johann Sebastian Bach Chaconne

59:55 Каrl Philipp Emanuel Bach12 Variationen uber die Folie d’Espagne

01:07:14 Mирослав Миша Савић (1954) Ово није оp 1: 110 година касније / Miroslav Miša Savić (1954) ’This is not op 1: 110 years later’

Atrijum Narodnog muzeja u Beogradu, 21.april 2019, 12 časova / Atrium of the National Museum in Belgrade, April 21, 2019, 12 o'cloc

Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu

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Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade

The Program:

Passacaglia: Promocija dvomanualnog flamanskog čembala graditelja Hubregta Boma / Passacaglia: Promotion of the two-manual Flemish harpsichord by builder Hubregt Bom

Studentski kulturni centar, Velika sala, 14.novembar 2018. / Student Cultural Center, Great Hall, November 14, 2018

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, harpsichord
  • harpsichord students from Svetlana Stojanović Kutlač's class: Ana Tošić, Jana Petrović, Marija Petrović, Teodora Krstić, Irina Aničić, Mila Jolačić

Audio snimak / Audio recording:

Johan Sebastian Bach (1685-1750): Chaconne (transcription of the violin chaconne in D minor)

Carl Philipp Emanuel Bach (1714-1788): 12 Variationen uber die Folie d'Espagne

Svetlana Stojanović Kutlača, harpsichord solo

Ars vivendi clavicembalum - 15. međunarodni festival „Čembalo, živa umetnost“ / Ars vivendi clavicembalum - 15th International Harpsichord Festival:
Passacaglia

Dom Vojske, 03.novembar 2018. / Army Hall, November 3, 2018

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, harpsichord
  • gošće: Anastasija Marković Todorić i Isidora Kuzmanović, harpsichord
  • harpsichord students from Svetlana Stojanović Kutlač's class: Ana Tošić, Jana Petrović, Marija Petrović, Teodora Krstić, Irina Aničić

J.S.Bach Goldberg-Variationen

Galerija Kolarčeve zadužbine, 30.maj 2018. / Kolarac Endowment Gallery, May 30, 2018

Svetlana Stojanović Kutlača, čembalo/harpsichord

Takmičenje između Hendla i Skarlatija / The Competition between Handel and Scarlatti

Studentski kulturni centar, Velika sala, 23.april 2018. / Student Cultural Center, Great Hall, April 23, 2018

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, harpsichord
  • harpsichord students from Svetlana Stojanović Kutlač's class: Irina Aničić, Mila Jolačić, Teodora Krstić, Jana Petrović, Maja Petrović, Ana Tošić, Anastasija Vučković

J.S.Bach Goldberg-Variationen

Galerija SANU, 26. mart 2018. / Gallery of the Serbian Academy of Sciences and Arts, March 26, 2018

Svetlana Stojanović Kutlača, čembalo/harpsichord

14th INTERNATIONAL harpsichord FESTIVAL: Ars vivendi clavicembalum:
MUSIC AS AN ECHO OF THE UNIVERSE

Army Hall, November 5, 2017

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, harpsichord
  • Jelena Rokvić, baroque violin

Louis Couperin: Suite d; François Couperin: Quatrième Concert Royaux; Antoine Forqueray: Suite V (arr.Jean Baptiste Forqueray)

"Music as an Echo of the Universe, Symbolism of Baroque Musical Forms: Preludes, Dances and Variations"

SKC Great Hall, Wednesday, June 21, 2017

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, čembalo/harpsichord
  • Jelena Rokvić, barokna violina/baroque violin
  • harpsichord students from Svetlana Stojanović Kutlač's class: Ana Tošić, Marija Petrović, Teodora Krstić, Irina Aničić, Jana Petrović, Anastasija Vučković

Louis Couperin: Preludes d, D, a, c; Suite in d

François Couperin: Quatrième Concert Royaux

Zadužbina Ilije M. Kolarca, Centar za muziku, Promenadni koncerti, Velika sala, 12.mart 2017. / Ilija M. Kolarac Endowment, Music Center, Promenade Concerts, Great Hall, March 12, 2017

"ITALIJANSKI RANI BAROK" / "ITALIAN EARLY BAROQUE"

Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, čembalo/harpsichord
  • Dragana Živković, sopran/soprano
  • Jelena Rokvić, violina/baroque violin
  • Filip Milinković, violončelo
  • Ana Rančić, čembalo/harpsichord

Aurelio Boneli (1569-1620): Toccata Cleopatra, a 8 (a due cembali)

Klaudio Monteverdi (1567-1643): "L' Orfeo, favola in musica": Prologo La Musica

Đovani Piki (?-1643): Pass' e mezzo, Saltarello del Pass' e mezzo

Đulo Kačini (1551-1618): Amor, io parto

Dario Kastelo (17 vek, Venecija): Sonata seconda a soprano solo

Klaudio Monteverdi (1567-1643): Si dolce è'l tormento

Đirolamo Freskobaldi (583-1643): Aria di Passacaglia, Cento Partite sopra Passacagli

Alesandro Skarlati (1660 -1725): "Mitridate Eupatore", air de Laodice

Bernardo Paskvini (1637-1710): Sonata a due cembali (Allegro, Adagio, Vivace)

III koncert iz ciklusa "Principi barokne muzike " / III concert from the cycle "Principles of Baroque Music":
"Polifonija" / "Polyphony"

Velika dvorana SKC-a,27. decembar 2016. / SKC Great Hall, 27. December 2016

J.S Bach: "Umetnost fuge" / J.S Bach: "The Art of the Fugue"

Ansambl/Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, čembalo/harpsichord
  • Maja Kutlača, čembalo/harpsichord
  • harpsichord students from Svetlana Stojanović Kutlač's class: Anastasija Vučković, Ana Tošić, Jana Petrović

Koncert/Concert: La Superbe ou la Forqueray

Galerija SANU, 8.decembar 2016. / SASA Gallery, December 8, 2016

Svetlana Stojanović Kutlača, čembalo/harpsichord

Antoine Forqueray (transcription for harpsichord by Jean-Baptiste Antoine Forqueray):

A.Forqueray: Suite I, IV i V

Suite I: Allemande. La Laborde,La Forqueray,La Cottin,La Bellmont,La Portugaise,La Couperin

Suite IV: La Marella,La Clément,Sarabande. La D'Aubonne,La Bournonville,La Sainscy,Le Carillon de Passy,La Latour

Suite V: La Rameau,La Guignon,La Léon. Sarabande,La Boisson,La Montigni,La Sylva,Jupiter

II koncert iz ciklusa "Principi barokne muzike" / II concert from the cycle "Principles of Baroque Music":
"Ornamentacija-francuski ukus" / "Ornamentation-French taste"

Velika dvorana SKC-a, 4. juni 2016. / SKC Great Hall, June 4, 2016

Ansambl/Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, čembalo/harpsichord
  • harpsichord students from Svetlana Stojanović Kutlač's class: Teodora Krstić, Anastasja Vučković, Marija Petrović, Ana Tošić, Jana Petrović, Mej Mansouri, Isidora Bovan

Program: Antoine Forqueray, Louis Couperin, François Couperin, Jean-Henry D'Anglebert

I koncert iz ciklusa "Principi barokne muzike" / The first concert from the cycle "Principles of Baroque Music":
"Improvizacija alla maniera italiana" / "Improvisation alla maniera italiana"

Velika dvorana SKC-a, 14. mart 2016. / SKC Great Hall, March 14, 2016

Ansambl/Ensemble "Parnas":

  • Svetlana Stojanović Kutlača, čembalo/harpsichord
  • Marija Gajić, sopran/soprano
  • Dragana Živković, sopran/soprano
  • Šerin Mansouri, violina
  • Filip Milinković, violončelo/cello
  • harpsichord students from Svetlana Stojanović Kutlač's class: Mej Mansouri, Jana Petrović, Ana Tošić

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Ansambl Parnas / Ensemble Parnas

Članovi Beogradskog ansambla Parnas posvećeni su interpretaciji barokne muzike na istorijskim instrumentima i primenom istorijski informisane izvodjačke prakse. Članovi ansambla usavršavali su se u interpretaciji na istorijskim instrumentima u inostranstvu ili u okviru masterklasa inostranih umetnika.

Članovi: Maja Kutlača,čembalo, Ana Rančić, čembalo, Dragana Živković,sopran, Marija Gajić, sopran, Jelena Rokvić, violina, Šerin Mansouri, violina, Karolina Better, traverzo flauta, Filip Milinković, violončelo.

Učenici čembala iz klase Svetlane Stojanović Kutlača aktivno učestvuju u promociji istorijskog instrumenta čembala i istorijskog repertoara za ovaj barokni instrument u našoj sredini. Više od deset učenika je nastavilo školovanje na FMU u Beogradu ili u inostranstvu: Švajcarskoj, Italiji, Nemačkoj, Austriji ili Belgiji.

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Members of the Belgrade ensemble Parnas are dedicated to the interpretation of baroque music on historical instruments and the application of historically informed performing practice. The members of the ensemble perfected their interpretation on historical instruments abroad or within the master classes of foreign artists.

Members: Maja Kutlača, harpsichord, Ana Ranchić, harpsichord, Dragana Živković, soprano, Marija Gajić, soprano, Jelena Rokvić, violin, Šerin Mansouri, violin, Karolina Better, flute traverse, Filip Milinković, cello.

Harpsichord students from the class of Svetlana Stojanović Kutlača actively participate in the promotion of the historical harpsichord instrument and the historical repertoire for this baroque instrument in our environment. More than ten students continued their education at the Faculty of Music in Belgrade or abroad: Switzerland, Italy, Germany, Austria or Belgium.

Biografije stalnih članova / Biographies of permanent members:

Svetlana Stojanović Kutlača

Doktorirala je na FMU u Beogradu na odseku za čembalo sa temom "Pristup interpretaciji karakternih komada za čembalo francuskog baroknog kompozitora Fransoa Kuprena baziran na platonističkom konceptu univerzalne harmonije" i magistrirala sa temom "Elementi španskog folklora u sonatama Domenika Skarlatija". Usavršavala se u Francuskoj, Španiji, Švajcarskoj, Nemačkoj i Velikoj Britaniji. U inostranstvu je održala 17 solističkih koncerata, a u Serbiji i Crnoj Gori nastupala je u svim značajnim koncertnim salama i na festivalima FERAM (Goldberg varijacije, Kuprenova Harmonie universelle) i Ars vivendi clavicembalum (Italijanski barok 2015, L’Exquies et Vigeur 2013, integralno izveđenje Bahovih koncerata za 3 i 4 čembala 2010; čembalistička dua sa Marijom Lujzom Baldazari i Agneš Varoljaj 2009; koncerti predavanja "Kuprenova ideja univerzalne harmonije", "Traganje za harmonijom od Pitagore do Baha"). Snimila je 7 CD solističke muzike (Balbastre, Duphly, Kupren, Ramo, Byrd & Bull, Frescobaldi, Picchi) i objavila radove iz domena estetike i muzikologije.

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She received her PhD from the Faculty of Harpsichord at the Faculty of Music in Belgrade with the topic "Approach to the Interpretation of Harpsichord Character Pieces by French Baroque Composer Francois Couperin Based on the Platonic Concept of Universal Harmony" and her master's degree with "Elements of Spanish Folklore in Domenico Scarlatti's Sonatas". She studied in France, Spain, Switzerland, Germany and Great Britain. She has given 17 solo concerts abroad, and in Serbia and Montenegro she has performed in all major concert halls and at the festivals FERAM (Goldberg variations, Couperin's Harmonie Universelle) and Ars vivendi clavicembalum (Sumbolic of Bach's Art of the Fugue, Passacaglia, Music as Ecco of the Universe,Italian Baroque 2015, L'Exquies et Vigeur 2013, integral performance Bach's concerts for 3 and 4 harpsichords 2010; harpsichord duo with Maria Louise Baldazari and Agnes Varollaj 2009; concerts / lectures "Kupren's idea of universal harmony", "Search for harmony from Pythagoras to Bach"). She has recorded 7 CDs of solo music (Bach Goldberg varationen, Forqueray Suite, Balbastre, Duphly, Kupren, Ramo, Byrd & Bull, Frescobaldi, Picchi) and published works in the field of aesthetics and musicology.

Maja Kutlača, čembalo / harpsichord

Maja Kutlača rođena je 1984. godine u Beogradu. Diplomirala je na FMU u Beogradu 2008.g, na Odseku za opštu muzičku pedagogiju, kao i na katedri za psihologiju na Filozofskom fakultetu Univerziteta u Beogradu 2009.g. Master i doktorske studije psihologije nastavila je u Holandiji na univerzitetu u Groningenu. Tokom školovanja nastupala je u svim značajnim salama u Beogradu: Kolarčevoj zadužbini, Skupštini grada, SKC-u, SANU, Madlenijanumu, Britanskom kulturnom centru, Atrijumu Narodnog muzeja, Galeriji fresaka i Etnografskom muzeju. U njene najznačajnije nastupe spadaju: solistički nastup na čembalu u ulozi Hendla u multimedijalnom projektu "Traganje za harmonijom- Takmučenje između Hendla i Skarlatija" održanom 2006 u Švajcarskoj u Internacionalnom centru u mestu Ko, kao i nastup u Luisu u Velikoj Britaniji sa programom Bahovi koncerti za dva čembala ; nastup u okviru projekta, Bahovi koncerti za 3 i 4 čembala 2010 na otvaranju festivala Ars vivendi clavicembalum. Kao član ansambla "Parnas" nastupila je na koncertu Bahova "Umetnost fuge" 2016. Kao solista i saradnik na čembalu MŠ "Josip Slavenski" nastupala je na koncertima u Firenci (Akademija lepih umetnosti) i San Đeminijanu, kao član ansambla "Tempera baroka", solista i baso kontinuo izvođač, nastupala je na više koncerata, između ostalog i sa holandskom violinistkinjom Antoanet Loman. Maja je, takođe, nastupala i sa orkestrom Beogradske filharmonije kao saradnik na čembalu (Respigi: Antički plesovi) i orguljama (Dvoržak: Rekvijem).

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Maja Kutlača was born in 1984 in Belgrade. She graduated from the Faculty of Music in Belgrade in 2008, at the Department of General Music Pedagogy, as well as at the Department of Psychology at the Faculty of Philosophy, University of Belgrade in 2009. She continued her master's and doctoral studies in psychology and obtained phdegree in the Netherlands at the University of Groningen. During her schooling, she performed in all important halls in Belgrade: Kolarac's endowment, the City Assembly, SKC, SANU, Madlenianum, the British Cultural Center, the Atrium of the National Museum, the Gallery of Frescoes and the Ethnographic Museum. Her most significant performances include: a solo performance on the harpsichord as Handel in the multimedia project "Search for Harmony - Competition between Handel and Scarlatti" held in 2006 in Switzerland at the International Center in Ko, as well as a performance in Lewis in the UK with Bach Concerts for two harpsichords; performance within the project, Bach concerts for 3rd and 4th harpsichords 2010 at the opening of the Ars vivendi clavicembalum festival. As a member of the ensemble "Parnas" she performed at the concert of Bach "The Art of Fugue" 2016. As a soloist and associate on the harpsichord of the elementary school "Josip Slavenski" she performed at concerts in Florence (Academy of Fine Arts) and San Geminiano, as a member of the ensemble "Tempera baroque" , soloist and bass continuo performer, has performed at several concerts, including with Dutch violinist Antoinette Loman. Maja also performed with the Belgrade Philharmonic Orchestra as an associate on harpsichord (Respigi: Ancient Dances) and organ (Dvorak: Requiem).

Ana Rančić, čembalo/harpsichord

Diplomirala je čembalo na Odseku za ranu muziku MŠ „Slavenski“ u klasi prof. Svetlane Stojanović-Kutlače. Na FMU u Beogradu diplomirala je na klavirskom i teoretskom odseku.Ana je učestvovala u integralnom izvođenju Bahovih koncerata za 3 i 4 čembala u Skupštini grada na otvaranju festivala Ars vivendi clavicembalum 2010 i zatvaranj festivala 2013 (L’Exquise et Vigeur); kao član dua čembala sa S.S. Kutlača i saradnik na čembalu nastupala je u Kolarčevoj zadužbini, Madlenijanumu, Galeriji SANU (Bahovi koncerti za dva čembala) i SKCu (Hendlova sonata za duo čembala; Italijanski rani barok, Apoteoze, Hendl: arije , sonate, kantate , Bah i Hendl . Pored članstva u ansamblu "Parnas", Ana je sarađivala sa "Centrom za ranu muziku" i ansamblom "Renesans" i kao solista na klaviru, čembalu i kamerni muzičar nastupala u svim značajnim gradskim salama, na BEMUS-u2004, 2006, 2008, 2009, i Festivalu Flauta.

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She graduated harpsichord at the Department of Early Music of the Elementary School "Slavenski" in the class of prof. Svetlana Stojanović-Kutlače. She graduated from the Faculty of Music in Belgrade with a degree in piano and theory. Ana participated in the integral performance of Bach's concertos for 3rd and 4th harpsichords in the City Hall at the opening of the Ars vivendi clavicembalum 2010 festival and the closing of the 2013 festival (L’Exquise et Vigeur); as a member of the harpsichord duo with S.S. Kutlača and harpsichord collaborator performed at the Madlenianum, SANU Gallery (Bach Concertos for Two Harpsichords) and SKC (Handel's Sonata for Harpsichord Duo; Italian Early Baroque, Apotheosis, Handel: arias, sonatas, cantatas, Bach and Handel. In addition to membership in the ensemble "Parnas", Ana collaborated with the "Center for Early Music" and the ensemble "Renaissance" and as a soloist on piano, harpsichord and chamber musician performed in all major city halls, at BEMUS in 2004, 2006, 2008, 2009, and the Flute Festival.

Jelena Rokvić, violinistkinja/baroque violin

Violinistkinja JELENA ROKVIĆ (Beograd) je diplomirala i magistrirala u klasi prof. Mihaela Frišenšlagera na Univerzitetu za muziku i scenske umetnosti u Beču (Austrija). Od 2008. do 2010. godine pohađala je specifične postdiplomske studije u oblasti istorijske muzike (baroka) i izvođenja na originalnim instrumentima u klasi prof. Ingomara Rajnera na istom univerzitetu. Usavršavala se kod Eriha Grinberga, Čarlsa Kastlmana, Leonida Peisahova, Vladimira Spivakova, Aleksandra Pavlovića, i drugih. Učestvovala je na festivalima klasične muzike u Vrnjačkoj Banji, Šapcu, Novom Kneževcu, Kupri Maritimi, Torinu, Portogruaru (Italija) i Asahikavi (Japan). Snimala je za domaće i strane radijske i televizijske stanice. Od 2010. godine predaje violinu na Filološko-umetničkom fakultetu u Kragujevcu.

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Violin player JELENA ROKVIĆ (Belgrade) graduated and obtained her master's degree in the class of prof. Michael Frischenschlager at the University of Music and Performing Arts in Vienna (Austria). From 2008 to 2010, she attended specific postgraduate studies in the field of historical music (baroque) and performance on original instruments in the class of prof. Ingomar Rainer at the same university. She studied with Erich Greenberg, Charles Castleman, Leonid Peisahov, Vladimir Spivakov, Aleksandar Pavlović, and others. She has participated in classical music festivals in Vrnjačka Banja, Šabac, Novi Kneževci, Kupri Maritimi, Turin, Portogruaro (Italy) and Asahikawa (Japan). She has recorded for domestic and foreign radio and television stations. Since 2010, he has been teaching violin at the Faculty of Philology and Arts in Kragujevac.

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CDovi / CDs

J.S.Bach (1685-1750): Goldberg-Variationen

Snimljeno u Galeriji Srpske akademije nauke i umetnosti, Ponedeljak 26. mart 2018 18 časova

Recorded in the Gallery of the Serbian Academy of Sciences and Arts, Monday, March 26, 2018 at 6 p.m.

Aria

Variatio 1 a 1 Clav.

Variatio 2 a 1 Clav.

Variatio 3 a 1 Clav. Canone all' Unisuono.

Variatio 4 a 1 Clav.

Variatio 5 a 1 ovvero a 2 Clav.

Variatio 6 a 1 Clav. Canone alla Seconda

Variatio 7 a 1 ovvero 2 Clav. al tempo di Giga

Variatio 8 a 2 Clav.

Variatio 9 a 1 Clav Canone alla Terza

Variatio 10 a 1 Clav. Fughetta.

Variatio 11 a 2 Clav.

Variatio 12 a 1 Clav. Canone alla Quarta.

Variatio 13 a 2 Clav.

Variatio 14 a 2 Clav.

Variatio 15 a 1 Clav Canone alla Quinta.

Variatio 16 a 1 Clav. Ouverture.

Variatio 17 a 2 Clav.

Variatio 18 a 1 Clav. Canone alla Sesta.

Variatio 19 a 1 Clav.

Variatio 20 a 2 Clav.

Variatio 21 a 1 Clav Canone alla Settima.

Variatio 22 a 1 Clav. Alla breve.

Variatio 23 a 2 Clav.

Variatio 24 a 1 Clav. Canone all' Ottava.

Variatio 25 a 2 Clav. adagio

Variatio 26 a 2 Clav.

Variatio 27 a 2 Clav. Canone alla Nona.

Variatio 28 a 2 Clav.

Variatio 29 a 1 ovvero 2 Clav.

Variatio 30 a 1 Clav. Quodlibet.

Aria da capo e fine.

J.S.Bach (1685-1750): Goldberg-Variationen

Kuprenov koncept univerzalne harmonije / F. Couperin "Harmonie universelle"

Sledeći pitagorejsko-platonistički ideal francuskog društva na prelazu XVII u XVIII vek, Fransoa Kupren je svoju jedinstvenu formu- svitu komada povezanih idejnim asocijativnim metodom i muzičkom atmosferom, nazvao ordre (red, poredak). Povezivanje ideološkog tumačenja Kuprenovih "redova", simboličkog tumačenja Kuprenovih zagonetnih naslova komada i Kuprenove vizije "energije modusa" vodi ka razotkrivanju Kuprenovog koncepta univerzalne harmonije kao "puta ka perfekciji".

Snimak koncerta 26.11.2012.g., u Velikoj sali Studentkog kulturnog centra u Beogradu, Snimatelj: Miroslav Savić, Instrument: Kopija francuskog dvomanualnog čembala iz XVIII veka marke "Zuckermann", graditelj Mario Bjelanović 1982.

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Following the Pythagorean-Platonist ideal of French society at the turn of the 17th and 18th centuries, Francois Coupren called his unique form - a world of pieces connected by an ideological associative method and musical atmosphere - ordre (order, order). Linking the ideological interpretation of Kupren's "orders", the symbolic interpretation of Kupren's enigmatic titles of the piece and Kupren's vision of "modus energy" leads to the revelation of Kupren's concept of universal harmony as a "path to perfection".

Audio recording of the concert on November 26, 2012, in the Great Hall of the Student Cultural Center in Belgrade: Miroslav Savić, Instrument: A copy of the two-manual French harpsichord from the 18th century by "Zuckermann", built by Mario Bjelanović in 1982.

V ordre, La Logivière, Allemande, Majestueusement, sans lenteur

XXIV ordre, Les Vieux Seigneurs, Sarabande grave, Noblement

XXIV ordre, L’Amphibie, mouvement de Passacaille, Noblement, Coulé, Gayment, Modérément, Vivement, Afectueusement, Marqué, Plus marqué, Noblement

VI ordre, Les Langueuers Tendres

VI ordre, Les Baricades Mistérieuses, Rondeau,Vivement

XXV ordre, La Visionaire, Gravement, et marqué, Viste

XXV ordre, La Misterieuse, Modérément

XXV ordre, Les Ombres Errantes, Languissamment

XXII ordre, L’Anguille, Legerement

XXII ordre, Le Croc-en-jambe, Gayement

XXII ordre, Les Tours de passé-passe

XXI ordre, La Reine des Cœurs, Lentement, et tres tendrement

XXI ordre, La Couperin, D’une Vivacité moderée

XXIII ordre, Les Tricoteuses, Tres légérement

XXIII ordre, L’Arlequine, Grotesquement

XXIII ordre, Les Gondoles de Délos, Rondeau, Badinage tendre

XXIII ordre, Les Satires Chevre-pieds, Gravement ferme, et pointé, Vivement et dans un goût burlesque

XXVI ordre, L’Epineuse,Rondeau

XXVI ordre, La Pantomime, Gayëment et marqué, et d’une grande précision

I ordre, L’Auguste, Allemande

XX ordre, La Princesse Marie, Gracieusement, Sans lenteur, 3ieme Partie Air dans le goût Polonois, Vivement; Les notes égales; et Marquées

XXVII ordre, L’Exquise, Allemande

XXVII ordre, Saillie, Vivement

VIII ordre, Passacaille, Rondeau

Domenico Scarlatti (1685-1757) 18 Sonatas

Snimljeno u MŠ "Josip Slavenski", 2007.g. Snimatelj: Miroslav Savić

Audio recording at the "Josip Slavenski" Music School, 2007: Miroslav Savić

1: Sonata K7 a-moll Presto

2: Sonata K54 a-moll Allegro

3: Sonata K175 a-moll Allegro

4: Sonata K206 E-dur Andante

5: Sonata K247 cis-moll Allegro

6: Sonata K215 E-dur Andante

7: Sonata K216 E-dur Allegro

8: Sonata K402 e-moll Andante

9: Sonata K105 G-dur Allegro

10: Sonata K8 g-moll Allegro

11: Sonata K116 c-moll Allegro

12: Sonata K132 C-dur Cantabile

13: Sonata K133 C-dur Allegro

14: Sonata K213 d-moll Andante

15: Sonata K18 d-moll Presto

16: Sonata K119 D-dur Allegro

17: Sonata K87 h-moll Andante

18: Sonata K318 Fis-dur Andante

Jean-Philippe Rameau (1683-1764): Nouvelles suites de Pièces de Clavecin

Snimljeno u MŠ "Kosta Manojlović" 30. maja 2008, snimatelj: Miroslav Savić.

Audio Recording at the "Kosta Manojlović" Music School on May 30, 2008: Miroslav Savić.

Suite a

1: Allemande

2: Courante

3: Sarabande

4: Les trois Mains

5: Fanfarinette

6: La Triomphante

7: Gavotte (avec 6 Doubles)

Suite in G

8: Les Tricotets

9: L’Indifferente

10: Menuet I, Menuet II

11: La Poule

12: Les Triolets

13: Les Sauvages

14: L’Enharmonique

15: L’Egiptienne

Muzika elizabetanskog doba na klavikordu / Queen Elizabeth's Music on Clavichord

Instrument: Klavikord, kopija po Hubertu, 1978

Snimljeno 30.maj 2005. u MŠ “Josip Slavenski” u Beogradu; Snimanje, tonska obrada, produkcija Miroslav Savić

Instrument: Clavichord, copy by Hubert, 1978

Audio Recording, sound processing, production: Miroslav Savić, on May 30, 2005 at the Josip Slavenski Music School in Belgrade

1: William Byrd: Pavan in d (FWB CCLIV)

2: William Byrd: Galliard in d (FVB CCLV)

3: William Byrd: Fantasia in a (FVB LII)

4: William Byrd: Pavan in a (FVB CLXXIV)

5: William Byrd: Galliard in a (FVB CLXXV)

6: William Byrd: The Queenes Alman (FVB CLXXII)

7: William Byrd: Walsingham (FVB LXVIII)

8: John Bull: Fantastic Pavan (MB 86a)

9: John Bull: Fantastic Galliard (MB 86b)

10: John Bull: In Nomine (FVB XXXVII)

11: John Bull: Chromatic Pavan (Queen Elizabeth”s, MB 87a)

12: John Bull: Chromatic Galliard (MB 87b)

Jacques DUPHLY (Rouen 1715 - Paris 1789) Pieces de Clavecin: Livre I, Livre III (excerpts)

Snimak sa koncerta u Galeriji Muzeja Istorije Jugoslavije, Trg Nikole Pašića 11, Beograd, Sreda 30. Juni, 2004. Snimanje i obrada zvuka: Vladislav Mičić

Recording and sound processing: Vladislav Mičić, from the concert in the Gallery of the Museum of the History of Yugoslavia, Trg Nikole Pašića 11, Belgrade, Wednesday, June 30, 2004.

Jacques Duphly

Suite in d:

1: Allemande

2: Courante

3: La Vanlo

4: Rondeau (Gracieux)

5: La Tribolet

6: Rondeau (Tendre)

7: La Damanzy

8: La Cazamajor

9: La Forqueray (Livre III)

Suite in c:

10: Allemande

11: La Boucon

12: La Larare

13: Menuets

14: Rondeau

15: La Millettina

16: Légèrement

17: Chaconne (Livre III)

Muzika za klavsen / Harpsichord Music

Snimljeno: 11.04.1997.g., Radio Beograd, u Sali Kolarčevog narodnog univerziteta, Snimatelj: Lazar Lazarević

Audio recording: Lazar Lazarević, Radio Belgrade, Kolarac Hall April 11, 1997

1: GIROLAMO FRESCOBALDI Toccata Prima

2: GIOVANNI PICCHI Pass'e mezzo

3: Saltarello del Pass'e mezzo

4: JOHANN JACOB FROBERGER Suite in g: Allemande

5: Courante

6: Sarabande

7: Gigue

8: FRANÇOIS COUPERIN XIII ordre: Les Lis naissans

9: Les Rozeaux

10: L'Engageante

11: Les Folies françoises, ou les Dominos

12: L'âme-en peine

13: DOMENICO SCARLATTI Sonate c-minor K115

14: Sonate F-major K107

15: Sonate e-minor K394

16: Sonate a-minor K175

17: Sonate E-major K264

18: MIODRAG KUZMANOVIĆ (1932-1995) Moravac

19: Diptih: Čaj goro čarna

20: Diptih: Trojanac

BALBASTROVA ZAGONETNA GALERIJA PORTRETA / C.B.Balbastre Ier Livre de Clavecin

Snimljeno: 1994.g., Radio Beograd, u Sali Kolarčevog narodnog univerziteta, Producent: Mića Kuzmanović, Simatelj: Lazar Lazarević

Audio recording: Lazar Lazarević, 1994, Radio Belgrade, in the Kolarac Hall, Producer: Mića Kuzmanović

1: „La de Caze“

2: „La d'Héricourt“

3: „La Ségur“

4: „La Monmartel ou la Brunoy“

5: „La Boullongne“

6: „La Castelmore“

7: „La Courteille“

8: „La Bellaud“

9: „La Lamarck“

10: „La Berville“

11: „La Lugeac“

12: „La Suzanne“

13: „La Genty“

14: „La Malesherbe“

15: „La Berryer ou La Lamoignon“

16: „La Laporte“

17: „La Morisseau“

...

Radovi / Articles

Doktorski umetnički projekt, Univerzitet umetnosti u Beogradu, Fakultet muzičke umetnosti, Beograd, 2013

PRISTUP INTERPRETACIJI KARAKTERNIH KOMADA ZA ČEMBALO FRANCUSKOG BAROKNOG KOMPOZITORA FRANSOA KUPRENA BAZIRAN NA PLATONISTIČKOM KONCEPTU UNIVERZALNE HARMONIJE!

Doctoral art project, University of Arts in Belgrade, Faculty of Music, Belgrade, 2013

APPROACH TO THE INTERPRETATION OF HARPSICHORD CHARACTER PIECES BY FRENCH BAROQUE COMPOSER FRANCOIS COUPERIN BASED ON THE PLATONIC CONCEPT OF UNIVERSAL HARMONY

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"MUZIKA KAO EHO UNIVERZUMA. SIMBOLIKA BAROKNIH INSTRUMENTALNIH FORMI PRELIDA, SVITE IGARA I VARIJACIJA"

Zbornik radova sa naučnog skupa “Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa”, održanog 6-7. oktobra 2017.g. Izdavač: Univerzitet u Nišu, Fakultet umetnosti. Urednik: Dr Danijela Zdravić Mihailović, ISBN 978-86-85239-48-9, str. 93-104, Niš, 2018.

"MUSIC AS AN ECHO OF THE UNIVERSE. SYMBOLISM OF BAROQUE INSTRUMENTAL FORMS PRELUDES, DANCES AND VARIATIONS"

Proceedings of the scientific conference "Art and Culture Today: Artistic Heritage, Contemporary Creativity and Taste Education", held 6-7. October 2017 Publisher: University of Nis, Faculty of Arts. Editor: Dr Danijela Zdravić Mihailović, ISBN 978-86-85239-48-9, p. 93-104, Nis, 2018.

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"SIMBOLIKA BAHOVOG DELA UMETNOST FUGE"

Zbornik radova Akademije umetnosti Univerziteta u Novom Sadu, 2017, br. 5, str. 142-159, doi:10.5937/ZbAkUm1705142S, UDC 78.071.1:929 Bach J. S.

"SYMBOLISM OF BACH'S WORK THE ART OF THE FUGUE"

Proceedings of the Academy of Arts, University of Novi Sad, 2017, no. 5, p. 142-159, doi: 10.5937 / ZbAkUm1705142S, UDC 78.071.1: 929 Bach J.S.

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"PRINCIPI BAROKNE MUZIKE: IMPROVIZACIJA, ORNAMENTACIJA, POLIFONIJA"

Četvrti Zbornik radova Akademije umetnosti Univerziteta u Novom Sadu, Editor-in-Chief: dr Nataša Crnjanski, ISSN 2334-8666, 2016

"PRINCIPLES OF BAROQUE MUSIC: IMPROVISATION, ORNAMENTATION, POLYPHONY"

Fourth Proceedings of the Academy of Arts, University of Novi Sad, Editor-in-Chief: Dr. Natasa Crnjanski, ISSN 2334-8666, 2016

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OD MERSENA DO RAMOA. SOCIJALNE INOVACIJE U FRANCUSKOM DRUŠTVU 17. I 18. VEKA I TRANSFORMACIJA POJMA “HARMONIJE”

9. Međunarodni Simpozij “MUZIKA U DRUŠTVU”, Sarajevo, 23–26. oktobar 2014, “MUZIKA U DRUŠTVU” ZBORNIK RADOVA, ISSN 2303-5722, Izdavač: Muzikološko društvo FBiH, Muzička akademija u Sarajevu, Sarajevo, 2016

FROM MERSEN TO RAMO. SOCIAL INNOVATIONS IN 17TH AND 18TH CENTURY FRENCH SOCIETY AND THE TRANSFORMATION OF THE CONCEPT OF “HARMONY”

9th International Symposium “MUSIC IN SOCIETY”, Sarajevo, 23–26. October 2014, “MUSIC IN SOCIETY” PROCEEDINGS, ISSN 2303-5722, Publisher: Music Society of FBiH, Academy of Music in Sarajevo, Sarajevo, 2016

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"ISTINA I LEPOTA (U FRANCUSKOJ MUZICI NA PRELAZU XVII U XVIII VEK)"

Tematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 17-18 april 2015, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2016, ISBN 978-99938-???, COBIS.RS-ID 4960536

"TRUTH AND BEAUTY (IN FRENCH MUSIC AT THE TRANSITION OF THE 17TH AND 18TH CENTURIES)"

Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 17-18, 2015, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2016 , ISBN 978-99938 - ???, COBIS.RS-ID 4960536

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SIMBOLIKA KUPRENOVIH KOMADA ZA ČEMBALO, "ARTEFACT"

Izdavač: Univerzitet u Nišu, Fakultet umetnosti u Nišu, ISSN (Štampano izd.) 2406-3134, ISSN (Online) 2406-3150, Vol. 1, Broj 1, UDK 786.2+781.4 Kupren F., str. 25-34, 2015.

SYMBOLISM OF KUPREN'S PIECES FOR HARPSICHORD, "ARTEFACT"

Publisher: University of Nis, Faculty of Arts in Nis, ISSN (Printed edition) 2406-3134, ISSN (Online) 2406-3150, Vol. 1, No. 1, UDC 786.2 + 781.4 Kupren F., p. 25-34, 2015

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"RAMO: SCIJENTISTA I HUMANISTA (250 GODIŠNJICA SMRTI FRANCUSKOG KOMPOZITORA I TEORETIČARA)"

Tematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 11-12 april 2014, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2015, ISBN 978-99938-27-16-0, COBIS.RS-ID 4960536, str. 255-263

"RAMO: SCIENTIST AND HUMANIST (250TH ANNIVERSARY OF THE DEATH OF A FRENCH COMPOSER AND THEORETIST)"

Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 11-12, 2014, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2015 , ISBN 978-99938-27-16-0, COBIS.RS-ID 4960536, p. 255-263

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"ENERGIJA MODUSA"

Tematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 12-13 april 2013, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2014, ISBN 978-99938-27-13-9, COBIS.RS-ID 4181528, str. 234-243

ENERGY OF MODES"

Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 12-13, 2013, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2014 , ISBN 978-99938-27-13-9, COBIS.RS-ID 4181528, p. 234-243

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"NOVI ASPEKTI TUMAČENJA BAHOVIH GOLDBERG VARIJACIJA"

Prvi nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum Niš 2013 (BARTF 2013), Fakultet umetnosti u Nišu, Niš, 11. i 12. oktobar 2013, Tema: UMETNOST I KULTURA DANAS, Zbornik radova sa naučnog skupa, ISBN 978-86-85239-15-1, COBISS.SR-ID 210036748, UDK 781.5.083.2:781.6 J.S.Bah, str. 17-28, Niš, 2014.

"NEW ASPECTS OF THE INTERPRETATION OF BACH'S GOLDBERG VARIATIONS"

The first national scientific conference with international participation Balkan Art Forum Nis 2013 (BARTF 2013), Faculty of Arts in Nis, Nis, October 11 and 12, 2013, Topic: ART AND CULTURE TODAY, Proceedings of the scientific conference, ISBN 978-86- 85239-15-1, COBISS.SR-ID 210036748, UDC 781.5.083.2:781.6 JSBah, p. 17-28, Nis, 2014.

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"DVE AUTENTIČNE SAVREMENE POSTAVKE HENDLOVE OPERE ALČINA"

Tematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 06-07 april 2012, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2013, ISBN 978-99938-27-12-2, COBIS.RS-ID 3632664, str. 446-457

"TWO AUTHENTIC CONTEMPORARY SETTINGS OF HANDLE'S OPERA ALCINA"

Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 6-07, 2012, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2013 , ISBN 978-99938-27-12-2, COBIS.RS-ID 3632664, p. 446-457

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“RACIONALNOST I ALHEMIJA UMETNOSTI”

VII naučni skup: "Tehnologija, kultura i razvoj: Iskušenja i pouke XX veka: Nauka, tehnologija i kultura u znaku Janusa sa posebnim osvrtom na jugoslovenski istorijski prostor", str. 176-189, UDK 008(082), 005.591.6(082), Subotica-Palić , 28. Avgust - 1. Septembar, 2000.

“RATIONALITY AND ALCHEMY OF ART”

VII Scientific Conference: "Technology, Culture and Development: Temptations and Lessons of the 20th Century: Science, Technology and Culture in the Sign of Janus with Special Reference to the Yugoslav Historical Space", p. 176-189, UDK 008 (082), 005.591.6 (082), Subotica-Palić, 28 August - 1 September, 2000

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“TRAGANJE ZA HARMONIJOM”

VI naučni skup: "Tehnologija, kultura i razvoj: Nauka, tehnologija i kultura pred izazovima blokiranog razvoja sa posebnim osvrtom za SR Jugoslaviju", str. 99-114, Igalo, 23-27. Avgust, 1999

“SEARCHING FOR HARMONY”

VI Scientific Conference: "Technology, Culture and Development: Science, Technology and Culture in the Face of the Challenges of Blocked Development with Special Reference to FR Yugoslavia", p. 99-114, Igalo, 23-27. August, 1999

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