Концерт: МУЗИКА ЗА ДУО ЧЕМБАЛА
На програму дела за дуо чембалa Хендла, Букстехудеа, Ј.С.Баха
Светлана Стојановић Кутлача, прво чембало, Емилија Миодраг, друго чембало
Галерија Српске Академије наука и уметности, Четвртак 02. марта 2023. у 18 часова, улаз слободан
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Concert: MUSIC FOR HARPSICHORD DUO
Harpsichords duo pieces by Handel, Buxtehude, J.S.Bach
Svetlana Stojanović Kutlača, first harpsichord, and Emilia Miodrag, second harpsichord
Gallery of the Serbian Academy of Sciences and Arts, Thursday, March 2, 2023 at 6 p.m., entrance free
zatvori najavu / close the announcement
Harspsichord Player, Doctor of Arts
čembalistkinja, doktor umetnosti
Lepota muzike je u jednovremenosti dejstva na čulo sluha i duh. Muzika se na jedinstveni način bavi postojanjem: dok slika beleži stvarni ili imaginarni trenutak sveta, a razum pokušava da definiše njegovu strukturu, muzika dočarava njegovu dinamiku. Muzički trenutak, momenat u transformaciji, predstavlja određenu harmoniju. Filozofski i muzički pojam harmonije susreću se i paralelno razvijaju u epohi baroka, odraz tog jedinstva najjasniji je u repertoaru muzike za čembalo. Posvetiti se interpretaciji istorijskog repertoara za čembalo za mene ne znači samo baviti se lepotom i raznovrsnošću dela posvećenih ovom muzičkom instrumentu, već jedinstvom njihovih senzitivnih i simboličkih potencijala, njihovom mnogoznačnošću i duhovnim bogatstvom.
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The beauty of music is in the simultaneous action on the sense of hearing and spirit. Music deals with existence in a unique way: while the image captures the real or imaginary moment of the world, and the mind tries to define its structure, the music evokes its dynamics. The musical moment, the moment in transformation, represents a certain harmony. The philosophical and musical notion of harmony meet and develop in parallel in the Baroque era, the reflection of that unity is most clear in the repertoire of harpsichord music. To dedicate myself to the interpretation of the historical harpsichord repertoire for me does not only mean dealing with the beauty and diversity of works dedicated to this musical instrument, but also the unity of their sensitive and symbolic potentials, their multiplicity and spiritual richness.
Видео снимци до сада одржаних концерата постављени су на Youtube каналу Светлане Стојановић Кутлача:
https://www.youtube.com/channel/UCGY4Wi6Wn_z5tl8cSBBd9UQ
otvorite Youtube kanal / open Youtube channel
Videos of the concerts held so far have been posted on the Youtube channel of Svetlana Stojanović Kutlača:
https://www.youtube.com/channel/UCGY4Wi6Wn_z5tl8cSBBd9UQ
otvorite Youtube kanal / open Youtube channelStari dvor (Svečana sala Skupštine Grada), Sreda, 8. decembar, 20.00 časova
Video snimak koncerta postavljen je na Youtube kanalu SVETLANE STOJANOVIĆ KUTLAČA:
https://www.youtube.com/channel/UCGY4Wi6Wn_z5tl8cSBBd9UQ
otvorite Youtube kanal / open Youtube channel...
18th International Festival "Harpsichord, Living Art" - SVETLANA STOJANOVIĆ KUTLAČA, harpsichord
City Hall, Wednesday, December 8, 2021; 8 p.m.
Video of the concert is posted on Svetlana Stojanović Kutlača's Youtube channel:
https://www.youtube.com/channel/UCGY4Wi6Wn_z5tl8cSBBd9UQ
otvorite Youtube kanal / open Youtube channel
The Program:
Johan Sebastijan Bah (Johann Sebastian Bach, 1685–1750)
Francuska uvertira (French Overture), BWV 831: Ouverture, Courante, Gavottte, Passepied, Sarabande, Bourrée, Bourrée II, Gigue, Echo
Fantasie und Fuge a moll, BWV 904
Fantasie a moll, BWV 922
Fantasie und Fuge a moll, BWV 894
Четврти концерт из циклуса "ОДБЛЕСЦИ ВИЗАНТИЈСКЕ КУЛТУРЕ У ЗАПАДНОЕВРОПСКОЈ МУЗИЦИ РЕНЕСАНСЕ И БАРОКА"
са темом "ИТАЛИЈАНСКИ И НЕМАЧКИ БАРОК: МУЗИКА КАО ЕХО УНИВЕРЗУМА"
Ансамбл "Парнас", Светлана Стојановић Кутлача, чембало и ученици чембала МШ "Јосип Славенски" у Београду
The fourth concert of the cycle "REFLECTIONS OF BYZANTINE CULTURE IN WESTERN EUROPEAN RENAISSANCE AND BAROQUE MUSIC"
with a theme „ITALIAN AND GERMAN BAROQUE: MUSIC AS AN ECHO OF THE UNIVERSE“
Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Ђироламо Фрескобалди (Girolamo Frescobaldi, 1583-1643): Toccata I
Антонио Валенте (Antonio Valente, 1520-1580): Lo ballo d'intorcia con sei mutanze
Микеланђело Роси (Michelangelo Rossi, 1601-1656): Toccata VII
Ђироламо Фрескобалди (Girolamo Frescobaldi, 1583-1643): Cento partite sopra Passacagli
Луј Купрен (Louis Couperin, 1626-1661): Chaconne in F
Хуан Кабаниљес (Juan Cabanilles, 1644-1712): Passacaglia
Доменико Скарлати (Domenico Scarlatti, 1685-1757): Sonata K 215 E dur
Доменико Скарлати (Domenico Scarlatti, 1685-1757): Sonata K 226 c moll
Клод Бенињ Балбастр (Claude-Bénigne Balbastre, 1724-1799): La Boulogne
Јохан Себастијан Бах (Johann Sebastian Bach, 1685-1750): Fantasia c moll
Јохан Себастијан Бах (Johann Sebastian Bach, 1685-1750): Sonata nach Reiniken d moll: Adagio, Allegro
Јохан Себастијан Бах (Johann Sebastian Bach, 1685-1750): Fantasia und Fuga a moll BWV 904
Трећи концерт из циклуса "ОДБЛЕСЦИ ВИЗАНТИЈСКЕ КУЛТУРЕ У ЗАПАДНОЕВРОПСКОЈ МУЗИЦИ РЕНЕСАНСЕ И БАРОКА"
са темом "ШПАНСКИ БАРОК: АСИМИЛАЦИЈА МУЛТИКУЛТУРАЛНОСТИ"
Концерт је посвећен успомени на Хенобебу Галбес (Genoveva Galvez,1929-2021) професору чембала на Краљевском конзерваторијуму у Мадриду, пиониру иинтерпретације шпанске музике за историјске клавијатурне инструменте
Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu
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The third concert from the cycle "REFLECTIONS OF BYZANTINE CULTURE IN WESTERN EUROPEAN RENAISSANCE AND BAROQUE MUSIC"
with a theme "SPANISH BAROQUE: ASSIMILATION OF MULTICULTURALITY"
The concert is dedicated to the memory of Genoveva Galvez (1929-2021), professor of harpsichord at the Royal Conservatory of Madrid, a pioneer in the interpretation of Spanish music for historical keyboard instruments
Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Доменико Скарлати (Domenico Scarlatti, 1685-1757): Sonata: K 247 Allegro; K 264 Vivo; K 107 Allegro; K 519 Allegro assai; K 115 Allegro; K 116 Allegro, K 132 Andante; K 133 Allegro; K 119 Allegro; K 120 Allegrissimo; K 544 Cantabile; K 545 Prestissimo; Sonata K 516 Allegretto; K 517 Prestissimo; Sonata K 226 Andante; Sonata K 213 Andante; K 185 Allegro; Sonata K 206 Andante; K135 Allegrol Sonata K 492 Presto; Sonata K 461 Allegro; K175 Allegro
Антонио Солер (Antonio Soler, 1729-1783): Sonata N10 Allegro; Sonata N117 Molto moderato; Sonata N87 Allegretto; Sonata N81 en modo dorico Prestissimo
Хозе Ферер (Jose Ferrer, 1745-1815): Sonata 2 por gesolreut Andantino
Бласко де Небра (Blasco de Nevra, 1750-1784): Sonata IV: Adagio, Allegro molto
Други концерт из циклуса "ОДБЛЕСЦИ ВИЗАНТИЈСКЕ КУЛТУРЕ У ЗАПАДНОЕВРОПСКОЈ МУЗИЦИ РЕНЕСАНСЕ И БАРОКА"
са темом "ФРАНЦУСКИ БАРОК: ИДЕЈА АРИСТОКРАТСКОГ ВАСПИТАЊА"
Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu
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Second concert from the cycle "REFLECTIONS OF BYZANTINE CULTURE IN WESTERN EUROPEAN RENAISSANCE AND BAROQUE MUSIC"
with a theme "FRENCH BAROQUE: THE IDEA OF ARISTOCRATIC EDUCATION"
Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Луј Купрен (Louis Couperin, 1626-1662): Prelude g; Prelude a, La Piemontaise; Suite F: Prelude,Gigue, Branle, Chaconne I, Chaconne II,Tombeau de M’eur Blanschrocher
Луј Маршан (Louis Marchand, 1669-1732): Prelude, Allemande, Courante, Sarabande, Gigue, Gavotte, Menuet, Chaconne
Франсоа Купрен (Francois Couperin, 1668-1733): Mode D: Les Idees hereuses, La Flateuse, La Voluptueuse, Les papillons; Gavotte, Rondeau; Mode E: Courante; Mode C: Les Graces naturelles, Zenobie; Mode H: Les Lis naissance, Les Folies françaises ou les Dominos; La Virginite, La Poudeur, L'Ardeur, L'Esperance, La Fidelite, La Perseverance, La langeur, La Coqueterie, Les Vieux Galans et les tresoieres suranees, Les Coucous benevoles, La Jalousie taciturne, La Frenesie ou le Desespoir; Mode A: Les vieux Segneurs, Les Charmes; Mode E: La Reine de Coeurs, La Superbe; Mode H: La Raphaelle, l’Exquise
Жан Филип Рамо (Jean Philippe Rameau, 1683-1764): Gavotte avec 6 Doubles; Les Rapelles des Oiseaux
Антоан Форкре (Antoine Forqueray, 1672-1745): La Rameau, La Guignon, La Leon, La Boisson, La Sylva, Jupiter
Први концерт из циклуса "ОДБЛЕСЦИ ВИЗАНТИЈСКЕ КУЛТУРЕ У ЗАПАДНОЕВРОПСКОЈ МУЗИЦИ РЕНЕСАНСЕ И БАРОКА"
са темом "ЕНГЛЕСКИ БАРОК: АПОТЕОЗА ДОБРЕ ВЛАДАВИНЕ"
Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu
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First concert from the cycle "REFLECTIONS OF BYZANTINE CULTURE IN WESTERN EUROPEAN RENAISSANCE AND BAROQUE MUSIC"
with a theme "ENGLISH BAROQUE: THE APOTHEOSIS OF GOOD GOVERNMENT"
Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Виљем Берд (William Byrd, 1539-1623): Fantasia, Pavanа, Galiardа; The Queenes Alman; Rowland; Fortune
Џон Бул (John Bull, 1562-1628): Chromatic Pavan, Chromatic Galliard (Queen Elizabeth’s)
Хенри Персл (Henry Purcell, 1659-1695): Ground in c; Ground in e; Ground in c
Георг Фридрих Хендл (Georg Friedrich Hǟndel, 1685-1759: Suite f: Adagio, Allegro,Allemande, Courante, Gigue; Air d con 5 variations; Suite F: Adagio, Allegro; Chaconne in G; Harmonious Belksmith variations
"СВЕТЛОСТ И ЗВУЦИ ВЕНЕЦИЈЕ"
Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu
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"THE LIGHT AND SOUNDS OF VENICE"
Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Ђовани Пики [Giovanni Picchi (1571 or 1572 – 17 May 1643)]: Пасамецо, Салтарело; Бало Онгаро; Бало ала Полака; Падоана дита Онгара
Бернардо Стораче (Bernardo Storace, 1637-1707): Ciaccona
Доменико Скарлати [Domenico Scarlatti (1685 – 1757)]: Соната К115; Соната К 213; Фанданго; 2 Сонате К516, К517
Јохан Себастијан Бах (Johann Sebastian Bach, 1685-1750): 2 Фантазије; Прелид; Фантазија
Жан Филип Рамо [Jean-Philippe Rameau (1683 – 1764)]: Гавота са 6 дубла
Клод Бенињ Балбастр [Claude-Bénigne Balbastre (1724 – 1799)]: Ла де Каз; Ле Ерикур; Ла Булоњ; Ла Кастелмор
Карл Филип Емануел Бах [Carl Philipp Emanuel Bach (1714–1788)]: 12 варијација на Фолију
Sreda 13. Novembar 2019. Galerija Artget, Kulturni centar Beograd u 19h / Wednesday, November 13, 2019. Artget Gallery, Cultural Center Belgrade at 7 pm
Predavanje: Svetlana Stojanović Kutlača / Lecturer: Svetlana Stojanović Kutlača
Concert program J.S.Bach (1685-1750): "Die Kunst der Fuge" BWV 1080:
Svetlana Stojanović Kutlača, harpsichord solo
Contrapunctus I
Contrapunctus III
Canon alla Decima, Contrapunto alla Terza
Contrapunctus V
Contrapunctus VI (per Diminutionem in Stylo Francese)
Contrapunctus VIII
Bojan Stojčević, Igor Glavašić, harpsichord duo
Canon in Hypodiapason (Canon alla Ottava)
Svetlana Stojanović Kutlača, harpsichord solo
Contrapunctus IX
Contrapunctus X
Contrapunctus XI
Ana Tošić, Jana Petrović, harpsichord duo
Contrapunctus XII rectus&inversus
Svetlana Stojanović Kutlača, harpsichord solo
Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu
Contrapunctus XIV
19 septembar 2019, 18h Mokranjčeva rodna kuća / September 19, 2019; 6 pm Mokranjac's birth house
Koncert: Pasakalja i Čakona / Concert: Passacaglia and Ciaccona
Svetlana Stojanović Kutlača, čembalo solo / harpsichord solo
Muzicke kritike / Music reviews:
Sadržaj video snimka / Video content:
00:00 uvod
02:08 Girolamo Frescobaldi: Тоccata IX
07:18 Girolamo Frescobaldi: Cento Partite sopra Passagli
16:58 Bernardo Storace: Ciaccona
23:40 Louis Couperin Passacaille in g
28:25 Louis Couperin Chaconne in d
30:08 Jean-Henry D'Anglebert Prelude in g
31:47 Jean-Henry D'Anglebert Passacaille d'Armide
37:10 François Couperin La Raphaelle
39:56 François Couperin Passacaille
45:42 Johann Sebastian Bach Adagio
49:04 Johann Sebastian Bach Chaconne
59:55 Каrl Philipp Emanuel Bach12 Variationen uber die Folie d’Espagne
01:07:14 Mирослав Миша Савић (1954) Ово није оp 1: 110 година касније / Miroslav Miša Savić (1954) ’This is not op 1: 110 years later’
Ansambl "Parnas": Svetlana Stojanović Kutlača, čembalo i učenici čembala MŠ "Josip Slavenski" u Beogradu
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Ensemble 'Parnas': Svetlana Stojanović Kutlača, harpsichord and harpsichord students of Music School "Josip Slavenski" in Belgrade
The Program:
Đirolamo Freskobaldi (Girolamo Frescobaldi, 1558-1643): Toccata IX; Cento Partite sopra Passacagli
Bernardo Storače (Bernardo Storace, 1637-1707): Ciaccona
Bernardo Paskvini (Bernardo Pasquini, 1637-1710): Sonata a due cembali: Allegro;Adagio;Vivace
Ana Tošić, Svetlana Stojanović Kutlača, harpsichord duo
Jean-Henry D'Anglebert, (1635-1691): Prelude in g; Passacaille d'Armide (transcription of Passacaille from Lily's opera 'Armida 'for harpsichord duo)
Svetlana Stojanović Kutlača, Ana Tošić, harpsichord duo
Fransoa Kupren (François Couperin, 1668-1733): Sarabande;Gavotte;La Létiville (harpsichord duo)
Mila Jolačić, Bojan Stojčević, harpsichord duo
Fransoa Kupren (François Couperin, 1668-1733): "Les Fastes de la grande et ancienne Mxnxstrxndxsx; La Julliet (harpsichord duo)
Marija Petrović, Jana Petrović, harpsichord duo
Fransoa Kupren (François Couperin, 1668-1733): La Muse naissante;L'Enfantine;Musêtte de Choisi¸Musêtte de Taverniê (harpsichord duo)
Teodora Krstić, Irina Aničić, harpsichord duo
Fransoa Kupren (François Couperin, 1668-1733): L'Auguste
Ana Tošić, harpsichord solo
Fransoa Kupren (François Couperin, 1668-1733): La Raphaelle;Passacaille
Svetlana Stojanović Kutlača, harpsichord solo
Johan Jakob Froberger(Johann Jakob Froberger (1616-1667): Toccata I
Jana Petrović, čembalo
Ditrih Bukstehude (Dieterich Buxtehude, 1639-1707): Passacaille
Teodora Krstić, Irina Aničić,harpsichord duo
Johan Sebastijan Bah (Johann Sebastian Bach, 1685-1750): Adagio; Chaconne
Svetlana Stojanović Kutlača, harpsichord solo
Studentski kulturni centar, Velika sala, 14.novembar 2018. / Student Cultural Center, Great Hall, November 14, 2018
Ensemble "Parnas":
Audio snimak / Audio recording:
Johan Sebastian Bach (1685-1750): Chaconne (transcription of the violin chaconne in D minor)
Carl Philipp Emanuel Bach (1714-1788): 12 Variationen uber die Folie d'Espagne
Svetlana Stojanović Kutlača, harpsichord solo
Dom Vojske, 03.novembar 2018. / Army Hall, November 3, 2018
Ensemble "Parnas":
Galerija Kolarčeve zadužbine, 30.maj 2018. / Kolarac Endowment Gallery, May 30, 2018
Svetlana Stojanović Kutlača, čembalo/harpsichord
Studentski kulturni centar, Velika sala, 23.april 2018. / Student Cultural Center, Great Hall, April 23, 2018
Ensemble "Parnas":
Galerija SANU, 26. mart 2018. / Gallery of the Serbian Academy of Sciences and Arts, March 26, 2018
Svetlana Stojanović Kutlača, čembalo/harpsichord
Army Hall, November 5, 2017
Ensemble "Parnas":
Louis Couperin: Suite d; François Couperin: Quatrième Concert Royaux; Antoine Forqueray: Suite V (arr.Jean Baptiste Forqueray)
SKC Great Hall, Wednesday, June 21, 2017
Ensemble "Parnas":
Louis Couperin: Preludes d, D, a, c; Suite in d
François Couperin: Quatrième Concert Royaux
"ITALIJANSKI RANI BAROK" / "ITALIAN EARLY BAROQUE"
Ensemble "Parnas":
Aurelio Boneli (1569-1620): Toccata Cleopatra, a 8 (a due cembali)
Klaudio Monteverdi (1567-1643): "L' Orfeo, favola in musica": Prologo La Musica
Đovani Piki (?-1643): Pass' e mezzo, Saltarello del Pass' e mezzo
Đulo Kačini (1551-1618): Amor, io parto
Dario Kastelo (17 vek, Venecija): Sonata seconda a soprano solo
Klaudio Monteverdi (1567-1643): Si dolce è'l tormento
Đirolamo Freskobaldi (583-1643): Aria di Passacaglia, Cento Partite sopra Passacagli
Alesandro Skarlati (1660 -1725): "Mitridate Eupatore", air de Laodice
Bernardo Paskvini (1637-1710): Sonata a due cembali (Allegro, Adagio, Vivace)
Velika dvorana SKC-a,27. decembar 2016. / SKC Great Hall, 27. December 2016
J.S Bach: "Umetnost fuge" / J.S Bach: "The Art of the Fugue"
Ansambl/Ensemble "Parnas":
Galerija SANU, 8.decembar 2016. / SASA Gallery, December 8, 2016
Svetlana Stojanović Kutlača, čembalo/harpsichord
Antoine Forqueray (transcription for harpsichord by Jean-Baptiste Antoine Forqueray):
A.Forqueray: Suite I, IV i V
Suite I: Allemande. La Laborde,La Forqueray,La Cottin,La Bellmont,La Portugaise,La Couperin
Suite IV: La Marella,La Clément,Sarabande. La D'Aubonne,La Bournonville,La Sainscy,Le Carillon de Passy,La Latour
Suite V: La Rameau,La Guignon,La Léon. Sarabande,La Boisson,La Montigni,La Sylva,Jupiter
Velika dvorana SKC-a, 4. juni 2016. / SKC Great Hall, June 4, 2016
Ansambl/Ensemble "Parnas":
Program: Antoine Forqueray, Louis Couperin, François Couperin, Jean-Henry D'Anglebert
Velika dvorana SKC-a, 14. mart 2016. / SKC Great Hall, March 14, 2016
Ansambl/Ensemble "Parnas":
Članovi Beogradskog ansambla Parnas posvećeni su interpretaciji barokne muzike na istorijskim instrumentima i primenom istorijski informisane izvodjačke prakse. Članovi ansambla usavršavali su se u interpretaciji na istorijskim instrumentima u inostranstvu ili u okviru masterklasa inostranih umetnika.
Članovi: Maja Kutlača,čembalo, Ana Rančić, čembalo, Dragana Živković,sopran, Marija Gajić, sopran, Jelena Rokvić, violina, Šerin Mansouri, violina, Karolina Better, traverzo flauta, Filip Milinković, violončelo.
Učenici čembala iz klase Svetlane Stojanović Kutlača aktivno učestvuju u promociji istorijskog instrumenta čembala i istorijskog repertoara za ovaj barokni instrument u našoj sredini. Više od deset učenika je nastavilo školovanje na FMU u Beogradu ili u inostranstvu: Švajcarskoj, Italiji, Nemačkoj, Austriji ili Belgiji.
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Members of the Belgrade ensemble Parnas are dedicated to the interpretation of baroque music on historical instruments and the application of historically informed performing practice. The members of the ensemble perfected their interpretation on historical instruments abroad or within the master classes of foreign artists.
Members: Maja Kutlača, harpsichord, Ana Ranchić, harpsichord, Dragana Živković, soprano, Marija Gajić, soprano, Jelena Rokvić, violin, Šerin Mansouri, violin, Karolina Better, flute traverse, Filip Milinković, cello.
Harpsichord students from the class of Svetlana Stojanović Kutlača actively participate in the promotion of the historical harpsichord instrument and the historical repertoire for this baroque instrument in our environment. More than ten students continued their education at the Faculty of Music in Belgrade or abroad: Switzerland, Italy, Germany, Austria or Belgium.
Doktorirala je na FMU u Beogradu na odseku za čembalo sa temom "Pristup interpretaciji karakternih komada za čembalo francuskog baroknog kompozitora Fransoa Kuprena baziran na platonističkom konceptu univerzalne harmonije" i magistrirala sa temom "Elementi španskog folklora u sonatama Domenika Skarlatija". Usavršavala se u Francuskoj, Španiji, Švajcarskoj, Nemačkoj i Velikoj Britaniji. U inostranstvu je održala 17 solističkih koncerata, a u Serbiji i Crnoj Gori nastupala je u svim značajnim koncertnim salama i na festivalima FERAM (Goldberg varijacije, Kuprenova Harmonie universelle) i Ars vivendi clavicembalum (Italijanski barok 2015, L’Exquies et Vigeur 2013, integralno izveđenje Bahovih koncerata za 3 i 4 čembala 2010; čembalistička dua sa Marijom Lujzom Baldazari i Agneš Varoljaj 2009; koncerti predavanja "Kuprenova ideja univerzalne harmonije", "Traganje za harmonijom od Pitagore do Baha"). Snimila je 7 CD solističke muzike (Balbastre, Duphly, Kupren, Ramo, Byrd & Bull, Frescobaldi, Picchi) i objavila radove iz domena estetike i muzikologije.
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She received her PhD from the Faculty of Harpsichord at the Faculty of Music in Belgrade with the topic "Approach to the Interpretation of Harpsichord Character Pieces by French Baroque Composer Francois Couperin Based on the Platonic Concept of Universal Harmony" and her master's degree with "Elements of Spanish Folklore in Domenico Scarlatti's Sonatas". She studied in France, Spain, Switzerland, Germany and Great Britain. She has given 17 solo concerts abroad, and in Serbia and Montenegro she has performed in all major concert halls and at the festivals FERAM (Goldberg variations, Couperin's Harmonie Universelle) and Ars vivendi clavicembalum (Sumbolic of Bach's Art of the Fugue, Passacaglia, Music as Ecco of the Universe,Italian Baroque 2015, L'Exquies et Vigeur 2013, integral performance Bach's concerts for 3 and 4 harpsichords 2010; harpsichord duo with Maria Louise Baldazari and Agnes Varollaj 2009; concerts / lectures "Kupren's idea of universal harmony", "Search for harmony from Pythagoras to Bach"). She has recorded 7 CDs of solo music (Bach Goldberg varationen, Forqueray Suite, Balbastre, Duphly, Kupren, Ramo, Byrd & Bull, Frescobaldi, Picchi) and published works in the field of aesthetics and musicology.
Maja Kutlača rođena je 1984. godine u Beogradu. Diplomirala je na FMU u Beogradu 2008.g, na Odseku za opštu muzičku pedagogiju, kao i na katedri za psihologiju na Filozofskom fakultetu Univerziteta u Beogradu 2009.g. Master i doktorske studije psihologije nastavila je u Holandiji na univerzitetu u Groningenu. Tokom školovanja nastupala je u svim značajnim salama u Beogradu: Kolarčevoj zadužbini, Skupštini grada, SKC-u, SANU, Madlenijanumu, Britanskom kulturnom centru, Atrijumu Narodnog muzeja, Galeriji fresaka i Etnografskom muzeju. U njene najznačajnije nastupe spadaju: solistički nastup na čembalu u ulozi Hendla u multimedijalnom projektu "Traganje za harmonijom- Takmučenje između Hendla i Skarlatija" održanom 2006 u Švajcarskoj u Internacionalnom centru u mestu Ko, kao i nastup u Luisu u Velikoj Britaniji sa programom Bahovi koncerti za dva čembala ; nastup u okviru projekta, Bahovi koncerti za 3 i 4 čembala 2010 na otvaranju festivala Ars vivendi clavicembalum. Kao član ansambla "Parnas" nastupila je na koncertu Bahova "Umetnost fuge" 2016. Kao solista i saradnik na čembalu MŠ "Josip Slavenski" nastupala je na koncertima u Firenci (Akademija lepih umetnosti) i San Đeminijanu, kao član ansambla "Tempera baroka", solista i baso kontinuo izvođač, nastupala je na više koncerata, između ostalog i sa holandskom violinistkinjom Antoanet Loman. Maja je, takođe, nastupala i sa orkestrom Beogradske filharmonije kao saradnik na čembalu (Respigi: Antički plesovi) i orguljama (Dvoržak: Rekvijem).
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Maja Kutlača was born in 1984 in Belgrade. She graduated from the Faculty of Music in Belgrade in 2008, at the Department of General Music Pedagogy, as well as at the Department of Psychology at the Faculty of Philosophy, University of Belgrade in 2009. She continued her master's and doctoral studies in psychology and obtained phdegree in the Netherlands at the University of Groningen. During her schooling, she performed in all important halls in Belgrade: Kolarac's endowment, the City Assembly, SKC, SANU, Madlenianum, the British Cultural Center, the Atrium of the National Museum, the Gallery of Frescoes and the Ethnographic Museum. Her most significant performances include: a solo performance on the harpsichord as Handel in the multimedia project "Search for Harmony - Competition between Handel and Scarlatti" held in 2006 in Switzerland at the International Center in Ko, as well as a performance in Lewis in the UK with Bach Concerts for two harpsichords; performance within the project, Bach concerts for 3rd and 4th harpsichords 2010 at the opening of the Ars vivendi clavicembalum festival. As a member of the ensemble "Parnas" she performed at the concert of Bach "The Art of Fugue" 2016. As a soloist and associate on the harpsichord of the elementary school "Josip Slavenski" she performed at concerts in Florence (Academy of Fine Arts) and San Geminiano, as a member of the ensemble "Tempera baroque" , soloist and bass continuo performer, has performed at several concerts, including with Dutch violinist Antoinette Loman. Maja also performed with the Belgrade Philharmonic Orchestra as an associate on harpsichord (Respigi: Ancient Dances) and organ (Dvorak: Requiem).
Diplomirala je čembalo na Odseku za ranu muziku MŠ „Slavenski“ u klasi prof. Svetlane Stojanović-Kutlače. Na FMU u Beogradu diplomirala je na klavirskom i teoretskom odseku.Ana je učestvovala u integralnom izvođenju Bahovih koncerata za 3 i 4 čembala u Skupštini grada na otvaranju festivala Ars vivendi clavicembalum 2010 i zatvaranj festivala 2013 (L’Exquise et Vigeur); kao član dua čembala sa S.S. Kutlača i saradnik na čembalu nastupala je u Kolarčevoj zadužbini, Madlenijanumu, Galeriji SANU (Bahovi koncerti za dva čembala) i SKCu (Hendlova sonata za duo čembala; Italijanski rani barok, Apoteoze, Hendl: arije , sonate, kantate , Bah i Hendl . Pored članstva u ansamblu "Parnas", Ana je sarađivala sa "Centrom za ranu muziku" i ansamblom "Renesans" i kao solista na klaviru, čembalu i kamerni muzičar nastupala u svim značajnim gradskim salama, na BEMUS-u2004, 2006, 2008, 2009, i Festivalu Flauta.
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She graduated harpsichord at the Department of Early Music of the Elementary School "Slavenski" in the class of prof. Svetlana Stojanović-Kutlače. She graduated from the Faculty of Music in Belgrade with a degree in piano and theory. Ana participated in the integral performance of Bach's concertos for 3rd and 4th harpsichords in the City Hall at the opening of the Ars vivendi clavicembalum 2010 festival and the closing of the 2013 festival (L’Exquise et Vigeur); as a member of the harpsichord duo with S.S. Kutlača and harpsichord collaborator performed at the Madlenianum, SANU Gallery (Bach Concertos for Two Harpsichords) and SKC (Handel's Sonata for Harpsichord Duo; Italian Early Baroque, Apotheosis, Handel: arias, sonatas, cantatas, Bach and Handel. In addition to membership in the ensemble "Parnas", Ana collaborated with the "Center for Early Music" and the ensemble "Renaissance" and as a soloist on piano, harpsichord and chamber musician performed in all major city halls, at BEMUS in 2004, 2006, 2008, 2009, and the Flute Festival.
Violinistkinja JELENA ROKVIĆ (Beograd) je diplomirala i magistrirala u klasi prof. Mihaela Frišenšlagera na Univerzitetu za muziku i scenske umetnosti u Beču (Austrija). Od 2008. do 2010. godine pohađala je specifične postdiplomske studije u oblasti istorijske muzike (baroka) i izvođenja na originalnim instrumentima u klasi prof. Ingomara Rajnera na istom univerzitetu. Usavršavala se kod Eriha Grinberga, Čarlsa Kastlmana, Leonida Peisahova, Vladimira Spivakova, Aleksandra Pavlovića, i drugih. Učestvovala je na festivalima klasične muzike u Vrnjačkoj Banji, Šapcu, Novom Kneževcu, Kupri Maritimi, Torinu, Portogruaru (Italija) i Asahikavi (Japan). Snimala je za domaće i strane radijske i televizijske stanice. Od 2010. godine predaje violinu na Filološko-umetničkom fakultetu u Kragujevcu.
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Violin player JELENA ROKVIĆ (Belgrade) graduated and obtained her master's degree in the class of prof. Michael Frischenschlager at the University of Music and Performing Arts in Vienna (Austria). From 2008 to 2010, she attended specific postgraduate studies in the field of historical music (baroque) and performance on original instruments in the class of prof. Ingomar Rainer at the same university. She studied with Erich Greenberg, Charles Castleman, Leonid Peisahov, Vladimir Spivakov, Aleksandar Pavlović, and others. She has participated in classical music festivals in Vrnjačka Banja, Šabac, Novi Kneževci, Kupri Maritimi, Turin, Portogruaro (Italy) and Asahikawa (Japan). She has recorded for domestic and foreign radio and television stations. Since 2010, he has been teaching violin at the Faculty of Philology and Arts in Kragujevac.
Атријум Народног музеја у Београду, Недеља 19.09.2021. / Atrium of the National Museum in Belgrade, September 19, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Музичка лекција / Music lesson
Harpsichord: Flemish double after Ruckers, harpsichord builder Hubregt Bom, 2018, Amsterdam
William Byrd, 1539-1623: Fantasia, Pavanа, Galiardа
John Bull, 1562-1628: Chromatic Pavan, Chromatic Galliard (Queen Elizabeth’s)
Georg Friedrich Hǟndel, 1685-1759: Suite f: Adagio, Allegro,Allemande, Courante, Gigue
Атријум Народног музеја у Београду, Недеља 17.10.2021. / Atrium of the National Museum in Belgrade, October 17, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Поподневно музицирање / Afternoon music performance
Harpsichord: French double after Blanchet & Tascin, harpsichord builder Mario Bjelanovic, 1983, Belgrade
Louis Marchand, 1669-1732: Prelude, Allemande, Courante, Sarabande, Gigue, Gavotte, Menuet, Chaconne
François Couperin, 1668-1733: Les vieux Segneurs, Les Charmes; La Reine de Coeurs, La Superbe, ou la Forqueray, La Raphaelle, l’Exquise
Antoine Forqueray, 1672-1745: La Rameau, La Guignon, La Leon, La Boisson, La Sylva, Jupiter
Атријум Народног музеја у Београду, Недеља 14.11.2021. / Atrium of the National Museum in Belgrade, November 14, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Чекајући морнара / Waiting for the sailor
Harpsichord: Flemish double after Ruckers, harpsichord builder Hubregt Bom, 2018, Amsterdam
Domenico Scarlatti, 1685-1757: Sonata: K 247 Allegro; K 264 Vivo; K 107 Allegro; K 519 Allegro assai; K 115 Allegro; K 116 Allegro, K 132 Andante; K 133 Allegro; K 119 Allegro; K 120 Allegrissimo; K 544 Cantabile; K 545 Prestissimo
Antonio Soler, 1729-1783: Sonata N117 Molto moderato; Sonata N87 Allegretto; Sonata N81 en modo dorico Prestissimo
Jose Ferrer, 1745-1815: Sonata 2 por gesolreut Andantino
Blasco de Nevra, 1750-1784: Sonata IV: Adagio, Allegro molto
Свечана сала Скупштине Града Београда, Среда 08.12.2021. / City Hall Belgrade, December 08, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Писмо / The Letter
Harpsichord: Flemish double after Ruckers, harpsichord builder Hubregt Bom, 2018, Amsterdam
Johann Sebastian Bach (1685–1750): French Overture, BWV 831: Ouverture, Courante, Gavottte, Passepied, Sarabande, Bourrée I, Bourrée II, Gigue, Echo
Свечана сала Скупштине Града Београда, Среда 08.12.2021. / City Hall Belgrade, December 08, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Истина је у искушењу / The truth is in Temptation
Harpsichord: Flemish double after Ruckers, harpsichord builder Hubregt Bom, 2018, Amsterdam
Johann Sebastian Bach (1685–1750): Fantasia und Fuga a moll BWV 904
Johann Sebastian Bach (1685–1750): Fantasia a moll BWV 922
Johann Sebastian Bach (1685–1750): Fantasia und Fuga a moll BWV 894
Атријум Народног музеја у Београду, Недеља 20.06.2021. и Недеља 12.12.2021. / Atrium of the National Museum in Belgrade, June 20, 2021 and December 12, 2021
LIVE
Audio recording: Miroslav Savić
Слика / Painting: Предраг Милошевић, Метафизичко поподне / Metaphysical afternoon
Harpsichord 1: Flemish double after Ruckers, harpsichord builder Hubregt Bom, 2018, Amsterdam
Harpsichord 2: French double after Blanchet & Tascin, harpsichord builder Mario Bjelanovic, 1983, Belgrade
Girolamo Frescobaldi, (1583-1643): Cento partite sopra Passacagli (12.12.2021, Harpsichord 1)
Giovanni Picchi (1571 or 1572-1643): Pass'e mezzo, Saltarello del pass'e mezzo (20.06.2021, Harpsichord 2)
Bernardo Storace (1637-1707): Chaconne (20.06.2021, Harpsichord 2)
Carl Philip Emanuel Bach (1714–1788): 12 Variations sopra Folia (20.06.2021, Harpsichord 2)
Snimljeno u Galeriji Srpske akademije nauke i umetnosti, Ponedeljak 26. mart 2018 18 časova
Recorded in the Gallery of the Serbian Academy of Sciences and Arts, Monday, March 26, 2018 at 6 p.m.
Aria
Variatio 1 a 1 Clav.
Variatio 2 a 1 Clav.
Variatio 3 a 1 Clav. Canone all' Unisuono.
Variatio 4 a 1 Clav.
Variatio 5 a 1 ovvero a 2 Clav.
Variatio 6 a 1 Clav. Canone alla Seconda
Variatio 7 a 1 ovvero 2 Clav. al tempo di Giga
Variatio 8 a 2 Clav.
Variatio 9 a 1 Clav Canone alla Terza
Variatio 10 a 1 Clav. Fughetta.
Variatio 11 a 2 Clav.
Variatio 12 a 1 Clav. Canone alla Quarta.
Variatio 13 a 2 Clav.
Variatio 14 a 2 Clav.
Variatio 15 a 1 Clav Canone alla Quinta.
Variatio 16 a 1 Clav. Ouverture.
Variatio 17 a 2 Clav.
Variatio 18 a 1 Clav. Canone alla Sesta.
Variatio 19 a 1 Clav.
Variatio 20 a 2 Clav.
Variatio 21 a 1 Clav Canone alla Settima.
Variatio 22 a 1 Clav. Alla breve.
Variatio 23 a 2 Clav.
Variatio 24 a 1 Clav. Canone all' Ottava.
Variatio 25 a 2 Clav. adagio
Variatio 26 a 2 Clav.
Variatio 27 a 2 Clav. Canone alla Nona.
Variatio 28 a 2 Clav.
Variatio 29 a 1 ovvero 2 Clav.
Variatio 30 a 1 Clav. Quodlibet.
Aria da capo e fine.
J.S.Bach (1685-1750): Goldberg-Variationen
Sledeći pitagorejsko-platonistički ideal francuskog društva na prelazu XVII u XVIII vek, Fransoa Kupren je svoju jedinstvenu formu- svitu komada povezanih idejnim asocijativnim metodom i muzičkom atmosferom, nazvao ordre (red, poredak). Povezivanje ideološkog tumačenja Kuprenovih "redova", simboličkog tumačenja Kuprenovih zagonetnih naslova komada i Kuprenove vizije "energije modusa" vodi ka razotkrivanju Kuprenovog koncepta univerzalne harmonije kao "puta ka perfekciji".
Snimak koncerta 26.11.2012.g., u Velikoj sali Studentkog kulturnog centra u Beogradu, Snimatelj: Miroslav Savić, Instrument: Kopija francuskog dvomanualnog čembala iz XVIII veka marke "Zuckermann", graditelj Mario Bjelanović 1982.
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Following the Pythagorean-Platonist ideal of French society at the turn of the 17th and 18th centuries, Francois Coupren called his unique form - a world of pieces connected by an ideological associative method and musical atmosphere - ordre (order, order). Linking the ideological interpretation of Kupren's "orders", the symbolic interpretation of Kupren's enigmatic titles of the piece and Kupren's vision of "modus energy" leads to the revelation of Kupren's concept of universal harmony as a "path to perfection".
Audio recording of the concert on November 26, 2012, in the Great Hall of the Student Cultural Center in Belgrade: Miroslav Savić, Instrument: A copy of the two-manual French harpsichord from the 18th century by "Zuckermann", built by Mario Bjelanović in 1982.
V ordre, La Logivière, Allemande, Majestueusement, sans lenteur
XXIV ordre, Les Vieux Seigneurs, Sarabande grave, Noblement
XXIV ordre, L’Amphibie, mouvement de Passacaille, Noblement, Coulé, Gayment, Modérément, Vivement, Afectueusement, Marqué, Plus marqué, Noblement
VI ordre, Les Langueuers Tendres
VI ordre, Les Baricades Mistérieuses, Rondeau,Vivement
XXV ordre, La Visionaire, Gravement, et marqué, Viste
XXV ordre, La Misterieuse, Modérément
XXV ordre, Les Ombres Errantes, Languissamment
XXII ordre, L’Anguille, Legerement
XXII ordre, Le Croc-en-jambe, Gayement
XXII ordre, Les Tours de passé-passe
XXI ordre, La Reine des Cœurs, Lentement, et tres tendrement
XXI ordre, La Couperin, D’une Vivacité moderée
XXIII ordre, Les Tricoteuses, Tres légérement
XXIII ordre, L’Arlequine, Grotesquement
XXIII ordre, Les Gondoles de Délos, Rondeau, Badinage tendre
XXIII ordre, Les Satires Chevre-pieds, Gravement ferme, et pointé, Vivement et dans un goût burlesque
XXVI ordre, L’Epineuse,Rondeau
XXVI ordre, La Pantomime, Gayëment et marqué, et d’une grande précision
I ordre, L’Auguste, Allemande
XX ordre, La Princesse Marie, Gracieusement, Sans lenteur, 3ieme Partie Air dans le goût Polonois, Vivement; Les notes égales; et Marquées
XXVII ordre, L’Exquise, Allemande
XXVII ordre, Saillie, Vivement
VIII ordre, Passacaille, Rondeau
Snimljeno u MŠ "Josip Slavenski", 2007.g. Snimatelj: Miroslav Savić
Audio recording at the "Josip Slavenski" Music School, 2007: Miroslav Savić
1: Sonata K7 a-moll Presto
2: Sonata K54 a-moll Allegro
3: Sonata K175 a-moll Allegro
4: Sonata K206 E-dur Andante
5: Sonata K247 cis-moll Allegro
6: Sonata K215 E-dur Andante
7: Sonata K216 E-dur Allegro
8: Sonata K402 e-moll Andante
9: Sonata K105 G-dur Allegro
10: Sonata K8 g-moll Allegro
11: Sonata K116 c-moll Allegro
12: Sonata K132 C-dur Cantabile
13: Sonata K133 C-dur Allegro
14: Sonata K213 d-moll Andante
15: Sonata K18 d-moll Presto
16: Sonata K119 D-dur Allegro
17: Sonata K87 h-moll Andante
18: Sonata K318 Fis-dur Andante
Snimljeno u MŠ "Kosta Manojlović" 30. maja 2008, snimatelj: Miroslav Savić.
Audio Recording at the "Kosta Manojlović" Music School on May 30, 2008: Miroslav Savić.
Suite a
1: Allemande
2: Courante
3: Sarabande
4: Les trois Mains
5: Fanfarinette
6: La Triomphante
7: Gavotte (avec 6 Doubles)
Suite in G
8: Les Tricotets
9: L’Indifferente
10: Menuet I, Menuet II
11: La Poule
12: Les Triolets
13: Les Sauvages
14: L’Enharmonique
15: L’Egiptienne
Instrument: Klavikord, kopija po Hubertu, 1978
Snimljeno 30.maj 2005. u MŠ “Josip Slavenski” u Beogradu; Snimanje, tonska obrada, produkcija Miroslav Savić
Instrument: Clavichord, copy by Hubert, 1978
Audio Recording, sound processing, production: Miroslav Savić, on May 30, 2005 at the Josip Slavenski Music School in Belgrade
1: William Byrd: Pavan in d (FWB CCLIV)
2: William Byrd: Galliard in d (FVB CCLV)
3: William Byrd: Fantasia in a (FVB LII)
4: William Byrd: Pavan in a (FVB CLXXIV)
5: William Byrd: Galliard in a (FVB CLXXV)
6: William Byrd: The Queenes Alman (FVB CLXXII)
7: William Byrd: Walsingham (FVB LXVIII)
8: John Bull: Fantastic Pavan (MB 86a)
9: John Bull: Fantastic Galliard (MB 86b)
10: John Bull: In Nomine (FVB XXXVII)
11: John Bull: Chromatic Pavan (Queen Elizabeth”s, MB 87a)
12: John Bull: Chromatic Galliard (MB 87b)
Snimak sa koncerta u Galeriji Muzeja Istorije Jugoslavije, Trg Nikole Pašića 11, Beograd, Sreda 30. Juni, 2004. Snimanje i obrada zvuka: Vladislav Mičić
Recording and sound processing: Vladislav Mičić, from the concert in the Gallery of the Museum of the History of Yugoslavia, Trg Nikole Pašića 11, Belgrade, Wednesday, June 30, 2004.
Jacques Duphly
Suite in d:
1: Allemande
2: Courante
3: La Vanlo
4: Rondeau (Gracieux)
5: La Tribolet
6: Rondeau (Tendre)
7: La Damanzy
8: La Cazamajor
9: La Forqueray (Livre III)
Suite in c:
10: Allemande
11: La Boucon
12: La Larare
13: Menuets
14: Rondeau
15: La Millettina
16: Légèrement
17: Chaconne (Livre III)
Snimljeno: 11.04.1997.g., Radio Beograd, u Sali Kolarčevog narodnog univerziteta, Snimatelj: Lazar Lazarević
Audio recording: Lazar Lazarević, Radio Belgrade, Kolarac Hall April 11, 1997
1: GIROLAMO FRESCOBALDI Toccata Prima
2: GIOVANNI PICCHI Pass'e mezzo
3: Saltarello del Pass'e mezzo
4: JOHANN JACOB FROBERGER Suite in g: Allemande
5: Courante
6: Sarabande
7: Gigue
8: FRANÇOIS COUPERIN XIII ordre: Les Lis naissans
9: Les Rozeaux
10: L'Engageante
11: Les Folies françoises, ou les Dominos
12: L'âme-en peine
13: DOMENICO SCARLATTI Sonate c-minor K115
14: Sonate F-major K107
15: Sonate e-minor K394
16: Sonate a-minor K175
17: Sonate E-major K264
18: MIODRAG KUZMANOVIĆ (1932-1995) Moravac
19: Diptih: Čaj goro čarna
20: Diptih: Trojanac
Snimljeno: 1994.g., Radio Beograd, u Sali Kolarčevog narodnog univerziteta, Producent: Mića Kuzmanović, Simatelj: Lazar Lazarević
Audio recording: Lazar Lazarević, 1994, Radio Belgrade, in the Kolarac Hall, Producer: Mića Kuzmanović
1: „La de Caze“
2: „La d'Héricourt“
3: „La Ségur“
4: „La Monmartel ou la Brunoy“
5: „La Boullongne“
6: „La Castelmore“
7: „La Courteille“
8: „La Bellaud“
9: „La Lamarck“
10: „La Berville“
11: „La Lugeac“
12: „La Suzanne“
13: „La Genty“
14: „La Malesherbe“
15: „La Berryer ou La Lamoignon“
16: „La Laporte“
17: „La Morisseau“
PRISTUP INTERPRETACIJI KARAKTERNIH KOMADA ZA ČEMBALO FRANCUSKOG BAROKNOG KOMPOZITORA FRANSOA KUPRENA BAZIRAN NA PLATONISTIČKOM KONCEPTU UNIVERZALNE HARMONIJE!
APPROACH TO THE INTERPRETATION OF HARPSICHORD CHARACTER PIECES BY FRENCH BAROQUE COMPOSER FRANCOIS COUPERIN BASED ON THE PLATONIC CONCEPT OF UNIVERSAL HARMONY
otvorite / openZbornik radova sa naučnog skupa “Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa”, održanog 6-7. oktobra 2017.g. Izdavač: Univerzitet u Nišu, Fakultet umetnosti. Urednik: Dr Danijela Zdravić Mihailović, ISBN 978-86-85239-48-9, str. 93-104, Niš, 2018.
Proceedings of the scientific conference "Art and Culture Today: Artistic Heritage, Contemporary Creativity and Taste Education", held 6-7. October 2017 Publisher: University of Nis, Faculty of Arts. Editor: Dr Danijela Zdravić Mihailović, ISBN 978-86-85239-48-9, p. 93-104, Nis, 2018.
otvorite / openZbornik radova Akademije umetnosti Univerziteta u Novom Sadu, 2017, br. 5, str. 142-159, doi:10.5937/ZbAkUm1705142S, UDC 78.071.1:929 Bach J. S.
Proceedings of the Academy of Arts, University of Novi Sad, 2017, no. 5, p. 142-159, doi: 10.5937 / ZbAkUm1705142S, UDC 78.071.1: 929 Bach J.S.
otvorite / openČetvrti Zbornik radova Akademije umetnosti Univerziteta u Novom Sadu, Editor-in-Chief: dr Nataša Crnjanski, ISSN 2334-8666, 2016
Fourth Proceedings of the Academy of Arts, University of Novi Sad, Editor-in-Chief: Dr. Natasa Crnjanski, ISSN 2334-8666, 2016
otvorite / open9. Međunarodni Simpozij “MUZIKA U DRUŠTVU”, Sarajevo, 23–26. oktobar 2014, “MUZIKA U DRUŠTVU” ZBORNIK RADOVA, ISSN 2303-5722, Izdavač: Muzikološko društvo FBiH, Muzička akademija u Sarajevu, Sarajevo, 2016
9th International Symposium “MUSIC IN SOCIETY”, Sarajevo, 23–26. October 2014, “MUSIC IN SOCIETY” PROCEEDINGS, ISSN 2303-5722, Publisher: Music Society of FBiH, Academy of Music in Sarajevo, Sarajevo, 2016
otvorite / openTematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 17-18 april 2015, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2016, ISBN 978-99938-???, COBIS.RS-ID 4960536
Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 17-18, 2015, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2016 , ISBN 978-99938 - ???, COBIS.RS-ID 4960536
otvorite / openIzdavač: Univerzitet u Nišu, Fakultet umetnosti u Nišu, ISSN (Štampano izd.) 2406-3134, ISSN (Online) 2406-3150, Vol. 1, Broj 1, UDK 786.2+781.4 Kupren F., str. 25-34, 2015.
Publisher: University of Nis, Faculty of Arts in Nis, ISSN (Printed edition) 2406-3134, ISSN (Online) 2406-3150, Vol. 1, No. 1, UDC 786.2 + 781.4 Kupren F., p. 25-34, 2015
otvorite / openTematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 11-12 april 2014, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2015, ISBN 978-99938-27-16-0, COBIS.RS-ID 4960536, str. 255-263
Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 11-12, 2014, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2015 , ISBN 978-99938-27-16-0, COBIS.RS-ID 4960536, p. 255-263
otvorite / openTematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 12-13 april 2013, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2014, ISBN 978-99938-27-13-9, COBIS.RS-ID 4181528, str. 234-243
Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 12-13, 2013, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2014 , ISBN 978-99938-27-13-9, COBIS.RS-ID 4181528, p. 234-243
otvorite / openPrvi nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum Niš 2013 (BARTF 2013), Fakultet umetnosti u Nišu, Niš, 11. i 12. oktobar 2013, Tema: UMETNOST I KULTURA DANAS, Zbornik radova sa naučnog skupa, ISBN 978-86-85239-15-1, COBISS.SR-ID 210036748, UDK 781.5.083.2:781.6 J.S.Bah, str. 17-28, Niš, 2014.
The first national scientific conference with international participation Balkan Art Forum Nis 2013 (BARTF 2013), Faculty of Arts in Nis, Nis, October 11 and 12, 2013, Topic: ART AND CULTURE TODAY, Proceedings of the scientific conference, ISBN 978-86- 85239-15-1, COBISS.SR-ID 210036748, UDC 781.5.083.2:781.6 JSBah, p. 17-28, Nis, 2014.
otvorite / openTematski zbornik radova sa naučnog skupa "Tradicija kao inspiracija: Vlado Milošević: etnomuzikolog, kompozitor i pedagog", Banja Luka, 06-07 april 2012, Akademija umjetnosti Univerziteta u Banja Luci, Akademija nauka i umjetnosti Republike Srpske, Muzikološko društvo Republike Srpske, 2013, ISBN 978-99938-27-12-2, COBIS.RS-ID 3632664, str. 446-457
Thematic collection of papers from the scientific conference "Tradition as inspiration: Vlado Milosevic: ethnomusicologist, composer and pedagogue", Banja Luka, April 6-07, 2012, Academy of Arts, University of Banja Luka, Academy of Sciences and Arts of Republika Srpska, Musicological Society of Republika Srpska, 2013 , ISBN 978-99938-27-12-2, COBIS.RS-ID 3632664, p. 446-457
otvorite / openVII naučni skup: "Tehnologija, kultura i razvoj: Iskušenja i pouke XX veka: Nauka, tehnologija i kultura u znaku Janusa sa posebnim osvrtom na jugoslovenski istorijski prostor", str. 176-189, UDK 008(082), 005.591.6(082), Subotica-Palić , 28. Avgust - 1. Septembar, 2000.
VII Scientific Conference: "Technology, Culture and Development: Temptations and Lessons of the 20th Century: Science, Technology and Culture in the Sign of Janus with Special Reference to the Yugoslav Historical Space", p. 176-189, UDK 008 (082), 005.591.6 (082), Subotica-Palić, 28 August - 1 September, 2000
otvorite / openVI naučni skup: "Tehnologija, kultura i razvoj: Nauka, tehnologija i kultura pred izazovima blokiranog razvoja sa posebnim osvrtom za SR Jugoslaviju", str. 99-114, Igalo, 23-27. Avgust, 1999
VI Scientific Conference: "Technology, Culture and Development: Science, Technology and Culture in the Face of the Challenges of Blocked Development with Special Reference to FR Yugoslavia", p. 99-114, Igalo, 23-27. August, 1999
otvorite / open